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Dali EPICON 8 in the Test

Dali EPICON 8 in the Test
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The top model of Dali new top series is produced extremely complex. Sounds like the stand box EPICON 8?

A certain dominance of domestic manufacturers characterized the early years of AUDIO. But in the 1980s, the situation changed: in addition to English and Americans conquered also Scandinavian provider greater market share and put the place deer under pressure. One of these newcomers was the founded in 1983 Danish boxes manufacturer of Dali, which however only in 1990 began to export its products to a greater extent. The name stands for “Danish audiophile loudspeaker industries” -da man praises himself but the handy shortcut. Despite its relatively short history, Dali can boast numerous test successes, often even in the highly competitive price classes for beginners. The so far most prominent figurehead of the Danes was introduced in 1997, over 2 metres high MEGALINE, designed with a variety of vertically arranged drivers and an active crossover as a line emitter.

Dali EPICON 8: construction

Recently Dali manufacture a new, developed with great effort and great attention to detail top series. The top model is called EPICON 8 and is to have as its smaller siblings in three highly tasteful color combinations. In addition to the classic high-gloss black Makassar and Walnut are available. The veneers are tenfold painted and hand polished before any additional intermediate step, which is not self-evident in this upmarket. The housing are highly sound-neutral by their layered structure with stabilizing curves and additional reinforcements.

The acoustic concept is extremely demanding: you want to weaknesses of the vibrating systems not electrically (in the switch) or mechanically (by high-attenuation beading) suppress, but already in the approach through constructive measures to prevent. Purist crossover with comparatively few components that are hard wired to the higher fidelity due to be added.

The Cone driver that produces Dali himself, using a novel soft magnetic material, which the properties depend less frequency than in iron. In combination with two aluminum rings in the area of the Metropolitan core, Dali want to have extremely reduces distortion compared to conventional drivers.

In the high frequency range , the Danes rely on their tried and tested combination of fabric dome tweeter and Ribbon systemthat mechanically and electrically further has been refined. The dual Assembly, comes at the Ribbon just above from 10 kilohertz in the game, transmits signals to much about the audibility and scored an equally wide dispersion.

Stach constructively such elaborate high-frequency range sound either, yet he had otherwise spectacular properties; He did what he should, and that with flying colors.

Dali EPICON 8: hearing test

The impression of an extremely sophisticated electroacoustic transducer continued in the other areas and led to a completely untechnical overall sound, whose unity set standards. Initially, they were looking for more possible weaknesses; but it quickly became clear: no chance! Dali had done a great job with his enormous development effort.

By the way the EPICON 8 played so casual and uncompressed away, that it was soon believed to experience real musicians before him and not two speaker cabinets. The Gospel song “Oh when the Saints ‘ sound with the large EPICON deliciously pure and of course, that melody leading trombone shone and shone, it was a pleasure. At rising levels went with the Danish one-to-one, let the sound colours in contrast to less well constructed through boxes intact and specifically revealed many subtleties in the bass. One could describe the overall character as “Rock solid”.

In short: The Dali EPICON 8 brought nothing out of the socket and played, what no contradiction in this case is just as high res as unstrained.

 

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